CENTER MEMBERS LISTING
Supporting Level Members and higher are invited to share their work within the below online showcase.
LINDA ALTERWITZ-MIZRAHI • Nevada | USA
www.lindaalterwitz.com • Lost Ground: Envisioning the Veil of Mental Illness
“This work explores the complexity of the human psyche, specifically abnormal brain activity and its parallel to changes in the environment.”
www.lindaalterwitz.com • Lost Ground: Envisioning the Veil of Mental Illness
“This work explores the complexity of the human psyche, specifically abnormal brain activity and its parallel to changes in the environment.”
Read and view more about the series here.
ANNETTE LEMAY BURKE • California | USA
www.atelierlemay.com • Fauxliage: Disguised Cell Phone Towers of the American West
“First created to decrease visual pollution and blend in with the environment, disguised cell phone towers have become an accepted yet contrived aesthetic in our neighborhoods and landscapes.”
www.atelierlemay.com • Fauxliage: Disguised Cell Phone Towers of the American West
“First created to decrease visual pollution and blend in with the environment, disguised cell phone towers have become an accepted yet contrived aesthetic in our neighborhoods and landscapes.”
Read and view more about the series here.
JAY BOERSMA • Illinois | USA
www.re-vision.com • Simple Truths (and Complex Lies)
“Several years ago, I decided to take a divergent path from my usual approach to photography, a path that would allow me to be less subtle, more playful, and to take more risks. The Simple Truths (and Complex Lies) project is the result.”
www.re-vision.com • Simple Truths (and Complex Lies)
“Several years ago, I decided to take a divergent path from my usual approach to photography, a path that would allow me to be less subtle, more playful, and to take more risks. The Simple Truths (and Complex Lies) project is the result.”
Read more about the series here.
SUSAN GOLDSTEIN • Colorado | USA
www.susangoldsteinstudio.com • UNDERCURRENTS
“The photographs in UNDERCURRENTS take the temperature of The United States and document part of the story of how the country has become so fractured and divided.”
www.susangoldsteinstudio.com • UNDERCURRENTS
“The photographs in UNDERCURRENTS take the temperature of The United States and document part of the story of how the country has become so fractured and divided.”
Read more about the series here.
JULIET HAAS • California | USA
www.juliethaas.studio • Westfjords Wandering
“A visual conversation between two artists reflecting on a shared one-month journey into the remote Westfjords of Iceland as Artists in Residence.”
www.juliethaas.studio • Westfjords Wandering
“A visual conversation between two artists reflecting on a shared one-month journey into the remote Westfjords of Iceland as Artists in Residence.”
Read more about the series here.
JODIE HULDEN • California | USA
www.jodiehulden.com • Left Behind
“These photographs were taken in Bodie, California, an abandoned gold rush mining town. As the mining opportunities evaporated over the decades, the inhabitants had to forsake their lives there and leave behind many of their belongings and their dreams.”
www.jodiehulden.com • Left Behind
“These photographs were taken in Bodie, California, an abandoned gold rush mining town. As the mining opportunities evaporated over the decades, the inhabitants had to forsake their lives there and leave behind many of their belongings and their dreams.”
Read more about the series here.
Gluttony
FRAZIER KING • Texas | USA
@frazierkingphotos • The Seven Deadly Sins
“From a psychological point of view, the idea of the sins (deadly because they can “kill” the divine spirit present in all men and women) can be represented by displaying the specific sin on a plank on one side and the “other” (or, rest of the “normal” world) on the opposing plank.”
@frazierkingphotos • The Seven Deadly Sins
“From a psychological point of view, the idea of the sins (deadly because they can “kill” the divine spirit present in all men and women) can be represented by displaying the specific sin on a plank on one side and the “other” (or, rest of the “normal” world) on the opposing plank.”
Read more about the series here.
ERIC KUNSMAN • New York | USA
www.erickunsman.com • Thou Art… Will Give…
“A photographic survey from the first Penitentiary in the United States, which was inspired by the Warden’s logbooks from the 1830s.”
www.erickunsman.com • Thou Art… Will Give…
“A photographic survey from the first Penitentiary in the United States, which was inspired by the Warden’s logbooks from the 1830s.”
Read more about the series here.
ELIZABETH LIBERT • Massachusetts | USA
www.elizabethclarklibert.com• They Will Be Them
“Our cultural response to males behaving badly is “boys will be boys”, and I often witness my sons’ affection for aggressive play with undertones of power and violence. That said, I’m also struck by their sensitivity, sensuality, and by their fascination with nature.”
www.elizabethclarklibert.com• They Will Be Them
“Our cultural response to males behaving badly is “boys will be boys”, and I often witness my sons’ affection for aggressive play with undertones of power and violence. That said, I’m also struck by their sensitivity, sensuality, and by their fascination with nature.”
Read more about the series here.
FRANK LOPEZ • Texas | USA
www.franklopez.com • The Instant of Being Here and Now
“Human experience has changed with the pervasiveness of collective narcissism within our daily societal interactions. Gesture and body language have changed in relation to street photography and human experience.”
www.franklopez.com • The Instant of Being Here and Now
“Human experience has changed with the pervasiveness of collective narcissism within our daily societal interactions. Gesture and body language have changed in relation to street photography and human experience.”
Read more about the series here.
LESIA MARUSCHAK • Ottawa | CANADA
www.lesiamaruschak.com • MARIA
“A complex exploration of memory and its sensual expression-memorializes the more than four million victims of the 1932-33 famine in Soviet Ukraine – an event widely thought to be genocidal.”
www.lesiamaruschak.com • MARIA
“A complex exploration of memory and its sensual expression-memorializes the more than four million victims of the 1932-33 famine in Soviet Ukraine – an event widely thought to be genocidal.”
Read more about the series here.
GEORGE NOBECHI • Nagano Prefecture | JAPAN
www.georgenobechi.com • Here.Still
“The warmth of people no longer present and the stillness of the world beyond the window, photographed over three years as I journeyed to reconnect with life after my father’s death.”
www.georgenobechi.com • Here.Still
“The warmth of people no longer present and the stillness of the world beyond the window, photographed over three years as I journeyed to reconnect with life after my father’s death.”
Read more about the series here.
ERIC POLITZER • California | USA
www.ericpolitzer.com • ¡OUT! Las Transformistas of Havana
“A celebration of the performers in Havana’s gay cabarets, both male-to-female transgenders and gay female impersonators (many of whom are considering gender reassignment).”
www.ericpolitzer.com • ¡OUT! Las Transformistas of Havana
“A celebration of the performers in Havana’s gay cabarets, both male-to-female transgenders and gay female impersonators (many of whom are considering gender reassignment).”
Read more about the series here.
WENDI SCHNEIDER • Colorado | USA
www.wendischneider.com • States of Grace & Evenings with the Moon
“My work is rooted in the serenity I find in the sinuous elegance of organic forms. I’m transformed in capturing the stillness of the suspended movement of light and compelled to preserve the visual poetry of these fleeting moments of vanishing beauty in our vulnerable environment.”
www.wendischneider.com • States of Grace & Evenings with the Moon
“My work is rooted in the serenity I find in the sinuous elegance of organic forms. I’m transformed in capturing the stillness of the suspended movement of light and compelled to preserve the visual poetry of these fleeting moments of vanishing beauty in our vulnerable environment.”
Read more about the series here.
ALINE SMITHSON • California | USA
www.alinesmithson.com • Fugue State
“I observe my children, creating thousands of images for their social media outlets, but am painfully aware that they have never made a photographic print and will most likely have no physical photographs to pass down to their grandchildren.”
www.alinesmithson.com • Fugue State
“I observe my children, creating thousands of images for their social media outlets, but am painfully aware that they have never made a photographic print and will most likely have no physical photographs to pass down to their grandchildren.”
Read more about the series here.
LAURINDA STOCKWELL • New Mexico | USA
www.laurindastockwell.artspan.com • Stills
“My photographs suggest stories but more importantly, they ask the viewer to participate in their own storytelling. Some objects possess a charged powerfulness to me. Often it is an interaction of the objects with people. Such as a tool worn with use.”
www.laurindastockwell.artspan.com • Stills
“My photographs suggest stories but more importantly, they ask the viewer to participate in their own storytelling. Some objects possess a charged powerfulness to me. Often it is an interaction of the objects with people. Such as a tool worn with use.”
Read more about the series here.
LUKE SWENSON • Oregon | USA
www.luke-swenson.com • Atascosa Borderlands
“In 2017 documentary photographer Luke Swenson and ecologist Jack Dash began studying a remote section of the Coronado National Forest in southern Arizona known as the Atascosa Highlands, the following project explores the complex cultural history and ecological significance of this notoriously rugged stretch of the US-Mexico border.”
www.luke-swenson.com • Atascosa Borderlands
“In 2017 documentary photographer Luke Swenson and ecologist Jack Dash began studying a remote section of the Coronado National Forest in southern Arizona known as the Atascosa Highlands, the following project explores the complex cultural history and ecological significance of this notoriously rugged stretch of the US-Mexico border.”
Read more about the series here.
DAVID M. M. TAFFET • Texas | USA
www.invisibleman.photography • Trumped Parti Pris
“Depicting with visual sensitivity the residents of right-wing, rural America (aka Trumpland) with an eye to challenging politically liberal onlookers to acknowledge the common humanity—the good, the bad, and the ugly—in us all.”
www.invisibleman.photography • Trumped Parti Pris
“Depicting with visual sensitivity the residents of right-wing, rural America (aka Trumpland) with an eye to challenging politically liberal onlookers to acknowledge the common humanity—the good, the bad, and the ugly—in us all.”
Read more about the series here.
JERRY TAKIGAWA • California | USA
www.takigawaphoto.com • Balancing Cultures
“Giving voice to the injustices silently suffered by my immigrant grandparents and American-born parents in the WWII American concentration camps sanctioned in 1942 by President Roosevelt’s Executive Order 9066.”
www.takigawaphoto.com • Balancing Cultures
“Giving voice to the injustices silently suffered by my immigrant grandparents and American-born parents in the WWII American concentration camps sanctioned in 1942 by President Roosevelt’s Executive Order 9066.”
Read more about the series here.
JANE WHITMORE • New Mexico | USA
www.janewhitmorephotography.com • The Bikini Project
“In July 1946, the US tested two nuclear bombs at Bikini, a small island in the Marshall Islands. The devastation of the island, the displacement of 167 Bikini Islanders, and the demise of their culture have haunted me for years.”
www.janewhitmorephotography.com • The Bikini Project
“In July 1946, the US tested two nuclear bombs at Bikini, a small island in the Marshall Islands. The devastation of the island, the displacement of 167 Bikini Islanders, and the demise of their culture have haunted me for years.”
Read more about the series here.
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